Even in projects where I'm using all FabFilter stuff on the master, there'll still be an instance of Ozone just for the exciter. Exciter: FabFilter's answer to Ozone's exciter module is Saturn, which is more versatile if you want severe distortion but isn't nearly as good as Ozone for more subtle applications. If had to choose one over the other, it'd be Pro-L, but not by much. Its Dynamic mode is awesome for drum busses. That's my choice for individual tracks and sub-busses, and for more aggressive and louder styles. Pro-L, OTOH, is capable of more clinical tweaking. Throw it on, quickly dial in a threshold while watching SPAN's K-14 meter and you're done. Limiter: I tend to use Ozone's limiter for the easy projects that don't call for a lot of master bus manipulation. FabFilter - I use both, but for different things. Bugfix for bug where the mono AudioSuite plug-ins cause the Whole File option at the bottom to be disabled.Ozone vs.Bugfix for compatibility issues with Adobe Premiere.Now lets you open Other Preset option to the presets menu.Added mouse wheel support to buttons with pop-up menus.Now with GPU-powered graphics acceleration based on FabFilter Pro-DS.Workaround for Maschine by NI bug for VST 2 plug-ins.In FabFilter Pro-Q, Bugfix forAuto-Adjust Display Range feature.Various minor improvements and bugfixes.More control over the compressor’s sound and character.Extensive help file with interactive help hints.Sample-accurate automation of all parameters.48 dB/oct HP and LP side chain filtering.Animated compression level display with customizable curves.Large input, output, and gain change meters with different scale settings.Zero latency, click-free 64-bit internal processing.
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Program dependent attack and release curves.Like all FabFilter plug-ins, FabFilter Pro-C also offers large, fine-tuned knobs that offer quick and precise control in both vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample accurate automation, AltiVec and SSE optimization and much more. In Expert mode, the animated level display slides underneath the transfer curve display to reveal all advanced side chain options. The animated level display, the active transfer curve display and the accurate input, output and gain change meters all work together to give you great insight in when, why and how compression is applied to the audio signal.īy default, the plug-in starts in non-Expert mode, which only offers the most essential compression functions. Pro-C has an innovative, easy-to-use, interface. Both stereo and mono versions of the plug-in are available. External side chain input is available and the detection signal can be filtered with steep 48 dB/octave low-pass and high-pass filters. You can choose between left/right or mid/side processing with completely customizable channel linking and routing. Each compressor style features different forms and levels of program dependency.Īpart from its sound and character, Pro-C also offers very flexible routing options. Pro-C is capable of very fast attack times and both the attack and release times are highly program dependent. All styles use 64-bit internal processing and guarantee zero latency throughput.
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Each style uses different custom algorithms, knee curves and compressor topologies (feedback or feed-forward), all carefully selected and fine-tuned after thorough research and development. Suitable for a wide range of compression purposes, Pro-C offers three compressor styles: Clean, Classic and Opto. Pro-C is a compressor plug-in offering high-quality sound, flexible routing and side-chain options, and various program dependent compression styles with an innovative user interface and animated level display making compression easy to grasp for everyone.